les.petits (pronounced ‘the petites’) are critically trumpeted as ‘Brentwood’s quietest band’.  Drawing deep inspiration from the brief period of popular music, which is bookended by the formation of Victoria’s nonmeansno and the untimely and tragic death of Belgium’s ‘The Singing Nun’, les.petits have crafted a quietly dissonant sound out of dying oboes, plangent orchestration, pink noise and jangly French folk songs. The years leading up to the release of their debut and sophomore EPs, the.mighty.antlers.of.song and an.ark.full.of.animals (combined here in one recording), were a turbulent artistic period that saw an exponential widening of lyrical and musical scope.